“Monumental Shadows Berlin” kicked off with an urban intervention by Various & Gould at the Bismarck statue in Berlin’s Tiergarten, Großer Stern, 10557 Berlin. Using a technique related to papier-mâché, the two artists and the Colonial Neighbours team have temporarily molded the monument and removed this paper shell from its pedestal.
MONUMENTAL SHADOWS
Documentary film by Frederic Leitzke about the project “Monumental Shadows – Rethinking Colonial Heritage”, Berlin 2021.
“Monumental Shadows – Rethinking Colonial Heritage”
A participatory project on public monuments reexamining and transforming the shadows cast by colonial figures into the present.
Even though more and more European countries are beginning to come to terms with their colonial history, the prevailing culture of remembrance is darkened by deep shadows. Former colonizing and colonized regions are linked together by a complex and violent past that reverberates into the present. The art project “Monumental Shadows” explores the culture of remembrance critically and deals with monuments that continue to inscribe and reiterate the colonial logic in public space.
Paper molding of the Bismarck statue, Berlin 2021. Photo: Raisa M. Galofre Cortés
In a combination of artistic collaboration, thematic debate, and public discussion, the project makes visible connection between colonialism and contemporary racism. Within the framework of “Monumental Shadows”, a series of seven artistic paper molds of historical monuments in European cities is planned. Backdropped by the infamous “Congo Conference” (1884/85 in Berlin), these monuments are entangled with the European colonization and division of Africa. They play a significant role in shaping the national identity for countries that participated in the conference and to this day continue to benefit from it.
The selected monuments and the represented historical figures are still positively portrayed or even glorified in the historiography of their respective countries (and beyond). By publicly commemorating these figures, the colonial exploitation and imperialist atrocities for which they were responsible are concealed, downplayed, or glossed over. On the one hand, their active participation and facilitation of colonialism remains invisible to the general public, while on the other hand, their past actions cast long-lasting shadows over countless lives to this day, in the form of structural racism and everyday inequalities.
Intervention by Various & Gould in collaboration with Colonial Neighbours (SAVVY Contemporary), Berlin 2021. Photo: Raisa M. Galofre Cortés
Using a technique based on papier-mâché, the monument is temporarily covered with thin, adhesive layers of paper, which, however, do not stick to the statue itself. After several days of teamwork, a three-dimensional paper shell is created. During the entire working process, active dialogue with visitors and passer-by is an essential part of the project. Once the paper shell has dried, it can be opened and removed from the statue.
The aim of the project is to demonumentalize these monuments by symbolically knocking them off their pedestals and charging them with new meanings. In the visual design of the paper molds, we address the respective monument and its colonial history. Through the lightness and malleability of the paper, their transience becomes visible.
Performance by Thomias Radin with Natisa Exocée Kasongo, Jumọke Adeyanju and Delawhere, Berlin 2021. Photo: Raisa M. Galofre Cortés
Subsequently, the resulting molds are transformed by artists in urban performances through which the paper fragments become tangible. This shows: History is not static, and we are all part of it.
Our concern is to raise and strengthen the public awareness of the on-going consequences of the colonial era. The fundamental change and multiplication of perspectives are the essential steps to disrupt the one-dimensionality of a white hegemony in Eurocentric historiography. It is long overdue that today’s collective memory work includes the experiences and voices of BIPOC, which have so often been silenced or ignored until now.
First iteration: Berlin
“Monumental Shadows Berlin” is an artistic exploration of Germany’s colonial heritage and current culture of remembrance. The project ran from August to the end of October 2021 in Berlin and was divided into four parts, so-called “Shadows”. In different formats, the participating artists and speakers questioned the effects of colonialism to the present day.
The starting point is the experience that German colonialism is often played down in public discourse. It thus lies in the shadows for many people and at the same time casts a long shadow over the lives of many.
The project was initiated by artist duo Various & Gould and developed in cooperation with Colonial Neighbours a project by SAVVY Contemporary.
Various & Gould
The Berlin based artist duo Various & Gould works in close collaboration since 2005. After studying at the Berlin-Weissensee School of Art (KHB), the artists graduated under the tutelage of Prof Alex Jordan (Grapus collective) in 2010. Various & Gould are known for constantly reinventing themselves. Whilst methods of screen-printing and collage are their speciality, their art can also emerge in a public performance or an installation as they like crossing borders and do not stick to a certain medium. Various & Gould often deal with socially prominent themes such as work, migration, gender, death, religion or the financial crisis in a playful, intuitive manner.
Colonial Neighbours
Colonial Neighbors is a long-term project by SAVVY Contemporary in Berlin. It is a participatory archive and research project which invites international artists, historians, cultural scholars, curators and other activists to engage with German colonial history and its aftermath in the present.
Team Monumental Shadows Berlin (2021)
Artistic Direction: Various & Gould
Curation: Lynhan Balatbat-Helbock
Projekt Management: Britt Janina Heinker
Curatorial Assistance: Lili Somogyi, Antonio Pedro Mendes
Additional artistic intervention: Daniela Medina Poch & Juan Pablo García Sossa
Performance: Thomias Radin, Natisa Exocée Kasongo, Jumọke Adeyanju & Delawhere
Production Assistance: Billy Fowo, Sagal Farah, Jörg-Peter Schulze, Alina Kologriwaja, Ahmed Isam Aldin, Mohamedali Ltaief, Sh. M. Mudassir
School Workshops: João Eduardo Albertini
Panel Discussion: Josephine Apraku, Fernande Bode, Jumọke Adeyanju
Panel Moderation: Lynhan Balatbat-Helbock
DJ-Set: Hanaby
Communication: Anna Jäger
Management: Lema Sikod
Design: Juan Pablo García Sossa
Accessibility: Annika Hirsekorn
German Simple Language: Christina Stark
German Sign Language: Ina Peters
German Sign Language Videos: Rolando Octavio González
Photo Documentation: Raisa Galofre
Video Documentation: Frederic Leitzke (editude pictures), Florian Lampersberger
The pilot project in Berlin was funded by Senatsverwaltung für Kultur und Europa des Landes Berlin and Berliner Projektfonds Urbane Praxis, with kind suppport by Zapf Umzüge.
Current team of the Monumental Shadows project series in Europe:
Noah Anderson and Various & Gould
Contact: vasb@zbahzragny-funqbjf.arg
Instagram: instagram.com/monumentalshadowsproject
LinkedIn: linkedin.com/company/monumental-shadows-rethinking-colonial-heritage/